Niagara Gazette — NIAGARA ON THE LAKE, Ont. — Summer theaters have spring training, too, and the Shaw Festival threw out its first pitch last Friday afternoon.
It’s called a preview and just like in the Grapefruit League, the scores don’t count. Critics have to pose as normal human beings and there’s even more intermingling of fans and players, such as Norman Browning picking up groceries he forgot at Valu-Mart before donning the garb of Major Paul.
And it’s interactive. Audience response will help guide directors and other staff. “Arms & the Man” costumier Charlotte Dean sat right alongside in the front row of the Royal George balcony, eagerly inputting observations. That’s another thing. Good seats are consistently available, at fetching rates.
Reviews at this stage are absolutely forbidden, so one may not report that “Arms” was absolutely charming (though it was) or that director Morris Panych brought it home in less than two hours, untypical for the notoriously verbose playwright George Bernard Shaw.
It could have, anyway. At intermission stagehands scurried about with flashlights as if searching for Flight 370. At last Director Panych himself appeared, apologizing that a technical glitch was impeding the rotation. “If we can’t get it turned, we’ll just play without it,” he promised.
Five minutes later the contraption took its cue, to the biggest applause of the day. It was amusing to think that a week earlier, Niagara Regional Theater Guild, with a set budget of $10 US, had spun its own “Damn Yankees” set without so much as a darn. Every “Arms” attendee came out smiling into an April shower. Spring was here and so was sustenance. At this time of year, the restaurants are so quiet that the maître d’s have their hands in their own pockets.
Jackie Maxwell, Festival artistic director since 2003, has begun what Derek Jeter or Mariano Riviera might call a victory lap, or laps, moving on after a tenure typical for the trade. She’s on the committee to see seek her successor. In her 11 years the Festival has broadened its horizons and thrived, despite a declining economy and tighter security at international borders. Last year’s resplendent “Guys & Dolls” held over to mid-November.